A Spot of Story Episode 10 | Echoes of History: Girl Stunt Reporters
A Spot of Story Episode 10 | Echoes of History: Girl Stunt Reporters
Girl Stunt Reporters
Episode 10
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Below, you’ll find the full transcript of today’s episode, in case you prefer to read or want to reference something we talked about.
About Undercover Wish

Wealth is but an illusion, hers to wield and his to escape.
CHICAGO, Ill., 1892—Stunt reporter Ali Di Stasio will risk anything to expose the truth and protect her fellow orphans, including rummaging through trash bins and putting herself in the crosshairs of the dangerous elite. After living on the streets, she knows every corner of her city, which means she can stay one step ahead of the cops, the powerful men who’d love to silence her before she can reveal their secrets, and the occasional wealthy bachelor wandering through her alleyways, lost and in danger of being mugged.
Griff Moorland, heir-apparent to his father’s shipping enterprise, is summoned home to Chicago’s wealthiest neighborhood for one purpose: marriage. Worse, his choices are to marry the conniving daughter of his father’s business partner or an heiress with a sizable dowry. If he doesn’t comply before the contract to bring in steel for the Columbian Exposition ends? His ailing mother will be stranded across an ocean, homeless.
Caught between keeping his mother alive and his father’s questionable business practices, Griff needs a way out of the bind his father has put him in. When Ali swoops in like a knight in shining armor, she insists the pen is mightier than a sword. But with the Chicago World’s Fair fast approaching, sinister forces conspire against them. Will love prove only a mirage, or will it be strong enough to set them free?
La Verità con Integrità. Truth with Integrity. The Legacy of a (Girl) Stunt Reporter.
A Di Stasio Giornaliste Agency origin story and a retelling of Aladdin and the Magic Lamp.
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Transcript
Welcome to A Spot of Story with Danielle Grandinetti. Cozy up with your favorite beverage as we chat about sweet romance, thrilling suspense, and fascinating history. Perhaps you’ll find your next read in one of these stories.
On this episode of A Spot of Story: Echoes of History, we’re stepping back—not into the 1930s, but all the way back into the 1880s and 1890s—to explore “Girl Stunt Reporters.” I’m excited to share this topic with you because it’s fascinating to me. While I was researching Investigation of a Journalist, the main character, Carrie, was a journalist. As I was researching female journalists, I came across the term “stunt reporter.”
At the time, a stunt reporter was an investigative reporter who went undercover. An example would be Nellie Bly. As I was researching, I got more and more fascinated. By the time the 1930s rolled around, female journalists were much more common. They were definitely making inroads thanks to the changes that had happened since the late 1800s. They lost a lot of the ground they made up because of the Depression and economic struggles; women were some of the first to be removed from positions to “make room” for men to keep their jobs. We’ll talk about that a different day, but right now, let’s focus on the Girl Stunt Reporters.
By the 1930s, there wasn’t the same sensationalism about Girl Stunt Reporters as there was during the Gilded Age. I logged that in the back of my mind as I began developing my new series, the Di Stasio Giornaliste Agency series, which is a 1930s historical romantic mystery series. I realized this was the perfect opportunity to dive into the history of how this agency came about, and that is because of a stunt reporter. The tagline for my Di Stasio series is: The Legacy of a Girl Stunt Reporter.
Nellie Bly is probably the most famous of these reporters from the late 1800s. Her given name was Elizabeth Cochran Seaman, and she famously went undercover as a mentally ill person into one of the New York asylums and nearly didn’t get out. Because she was working with Joseph Pulitzer and his newspaper in New York, they were able to rescue her. She in turn wrote articles about how asylums treated women in that day, and because of that, a lot of reform began to happen.
She’s not the only one who went undercover. There were other reporters like Winifred Mulcahey or Eleanor Stackhouse Atkinson, who wrote under the name Nora Marks. Both were Chicago reporters who worked to help women, immigrants, and other marginalized people within Chicago. Other journalists would go undercover as pregnant women to see how women were treated, and based on their experiences, they wrote articles that helped the public become more aware of these issues.
One of the books that I appreciated as I was researching was a book by Kim Todd called Sensational: The Hidden History of America’s Girl Stunt Reporters [affiliate]. It was fascinating to dive into how they worked and how men, such as Pulitzer, helped them become these history-changers—groundbreakers in journalism who helped change labor laws, the treatment of women, and business practices.
The Girl Stunt Reporter who probably influenced Ali’s character the most was another Chicago writer, Helen Cusack, who published as Nel Nelson. She went undercover in sweatshops and cigar factories and exposed the working conditions of women in the late 1800s. As I was creating Ali’s character, I wanted to show that she went undercover to expose how orphans and immigrants were treated during the Gilded Age.
The whole point of it being called the Gilded Age is because the era looked on the surface like this perfect time of history, almost like it was gold-plated. The Chicago World’s Fair happened during that same time period and was called the “White City.” The fact that these women went undercover showed that all was not gold-plated or pristine. Underneath the surface, there was a lot of evil happening. They risked their lives, their health, and their reputations to show the world the truth about what was actually happening to women of the day.
Writing a romantic mystery allows me to have that little bit of edginess or grit that these stunt reporters would have had in order to risk as much as they did. You could call it sensationalized because that type of reporting was common then—perhaps even now, as newspapers still aim to sell. But these women used that to their advantage to show what changes had to be made in order to improve society.
I’m excited to give a little sneak peek into the life of a female stunt reporter in Undercover Wish. If you would like to learn more about Girl Stunt Reporters, I link to resources and Kim Todd’s book in the show notes. Thank you for tuning in for this episode into the past. As I mentioned, you can find additional resources and show notes on my website.
Thank you for listening to A Spot of Story with Danielle Grandinetti. We hope you enjoy today’s conversation. Let us know by leaving a comment below and be sure to subscribe so you don’t miss an episode. Discover more information about today’s book by visiting A Spot of Story online at
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~ Danielle.






